The Inspiration Behind the Blog

I was born to be a writer. When I published my first novel Wild Point Island, my orange and white rescued feral tabby Chuck decided he wanted to travel and see the island for himself. Chuck's desire to travel inspired me to begin the blog and take Chuck with me whenever I traveled, which I do frequently. This was not an easy task. First, I had to deflate the poor kid of all air, stuff him in my carry-on bag, remember to bring my portable pump, and when I arrive, I pump him back up. Ouch. He got used to it and always was ready to pull out his passport and go. Now it's Theo's turn. Smart. Curious. And, yes, another rascal.

Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Sunday, April 14, 2013

Chuck Lured to Enigma Machine in France


 


              Chuck can usually be lured to a place he doesn’t want to go by the promise of a pretty girl OR a snack.  This time . . . when we were bound for The Peace Museum - a museum and war memorial in Caen, France - established in 1988, dedicated to peace and considered the best World War II museum in France . . . it was a machine that proved to be the ultimate allure. 

Chuck agreed to visit The Peace Museum because of a promise. Chuck would see one of the actual Enigma machines used by the Allies during World War II at Bletchley Park in England to crack the secret German code used during the transmissions.

It all started the year before when Chuck watched one of my favorite movies -- Enigma, starring Kate Winslet of Titanic fame.  The story of Enigma takes place during World War II in Bletchley Park, England.  A cryptanalyst returns to the park to help the codebreaking team regain their ability to break the German code used during their transmissions. Obsessed with his missing former girlfriend, he and his girlfriend’s roommate help to unravel the mystery of her disappearance.  



Enigma was co-produced by Mick Jagger of the Rolling Stones who not only put up the cash to make the movie but also lent the movie use of his Enigma machine to add authenticity to the movie.  

When we arrive at the Museum, I tell Chuck-- be prepared to be wowed by the experience.  I’ve been warned that going through the museum is quite an experience.  Chuck, however, is of one mind.  He only wants to see the machine.  

He doesn’t much listen as I explain that the Peace Museum traces France’s role during World War I and World War II to stop the spread the Fascism and Nazism.  The museum’s displays capture “moments in time.” 

We pass an exhibit of nap sacks, helmets, and leather pouches.  I’m fascinated by this type of display and try to imagine the real people over 50 years ago who owned these objects. 



        We pass a brick wall with a poster and again I try to see myself on a deserted street, perhaps, in Paris, in an occupied city.  



         We pass the side of a building with graffiti and a bicycle, evocative of a, perhaps, secret meeting inside.



There are symbolic exhibits.  The river of red lights stand for all the Holocaust victims.  



When we FINALLY reach the Enigma machine, Chuck stands in rapt attention. He understands that during World War II, because the enemy created an elaborate code where one letter stood for another letter when they transmitted messages, breaking the code without the machine was almost impossible . . . because the possibilities for variations were endless.  



I stare long and hard at the Enigma machine, too.  It saved many Allied lives.  

Yeah, again for technology, even the 1943 style!

         MY PARANORMAL ROMANCE, WILD POINT ISLAND, IS NOW AVAILABLE AS A MASS MARKET PAPERBACK AND AS AN EBOOK ON AMAZON.COM AND BARNESANDNOBLE.COM  READER REVIEWS 4.8 STARS.


Sunday, April 15, 2012

Chuck Makes Eyes at French Cow





We flew to France to see the sights--the touristy sights--the Eiffel Tower, Giverny (where Monet painted some of his most famous Impressionistic works), the Luxembourg Gardens (where Chuck almost drowned in a fountain), the incomparable Mona Lisa and so it was time to leave the big city behind and venture into the French countryside.

Well, the truth of the matter was--Chuck wanted to see some cows.

French cows.

Now, are French cows different from American cows or English cows?

I didn’t have the answer for that. And neither did Chuck, but since my ever wiley, rascally cat always seems to have an agenda, I suspected the answer to Chuck’s obsession with French cows had more to do with the farm that we decided to visit than with the cows themselves.

You see, this particular farm, located in the Normandy region of France, near the seaport town of Deauville, where we were staying, was an apple farm which specialized in making a famous French apple brandy--Calvados--a peculiar French word pronounced with a heavy stress on the “ss” sound at the end. And there just happened to be some cows who lived on this farm.

Chuck said he wanted to see the cows, but did he really just want to sample the Calvadossss?

If you’re like me, you never heard of Calvados--never knew that this innocent looking usually gold-colored liquid in the glass, distilled from apple cider, which had the distinct aroma of apples, apricots, butterscotch, nuts, and even chocolate, is aged for a minimum of two years in oak casks and is considered one of France’s culinary specialties--along with cider and cheese--in the region. People mostly drink Calvados for an aperitif but there are some French traditions which demand that you drink Calvados--glass after glass--between each of many courses, during the entire meal.

The Normandy Region is the most visited area in France. Some say it’s because of the green countryside, some point to the seaside, and others point to the Calvados. Chuck, of course, swears it’s the cows.

When we arrived at the farm, I have to admit the area was beautiful. And sure enough, Chuck immediately seemed to be taken by this lovely French cow who was lounging in the field near the farmhouse where we were supposed to be going.

Of course, we made a detour.

The people we were with, hurried to the tasting table, where glasses were lined up, filled with Calvados, and I thought for sure that’s where Chuch would want to be, too. But he kept craning his neck out of my smart bag, gazing off in the direction of the cow.

No big deal, I thought. We could always saunter over to the Calvados later.

But, again, I had my anxieties, now knowing how a cat would get on with a cow. And what was the attraction?

“Now, Chuck, just don’t go running over there. Proceed with caution. You may like her. (I assumed it was a her.) But who knows how she feels about you. And besides,”I added, I can’t even tell you why, “she’s French. She speaks French.”

Chuck wiggled out of my backpack, hopped to the ground and, with nary a glance back, scooted to the fence and hung over the railing, and just stared.

I stopped mid-step and waited.

Was the kid waiting for some kind of signal from her?

Sure enough, they seemed to be making eye-contact.

Then she--the French cow--let out a kind of “moooooo.”

Was that French for “Come on over?”

In an instant, Chuck hopped over the bottom railing and ran over to her. He lifted his face up to hers. She leaned down and sniffed him. And then he did what I would have never expected from this rambunctious lad.

He laid down next to her, so close that the snout of his face touched her arm.

All I could think of was--sweet.

And then, now what?

I saw this segment on Sixty Minutes where a dog and an elephant formed a relationship that lasted for years. I couldn’t imagine leaving my Chuck behind if he were suddenly to declare that he had a “thing” for this cow.

It turned out that the fact that she spoke French wasn’t important. Theirs was the language of love. (OK, I admit it--I write romance novels.)

We finally did make it to the Calvados tasting table. And, yeah, Chuckie did have a sip. But he’s not into brandy all that much. More curious than anything about the gold liquid swirling around in the glass . . .

As we were leaving the farm, Chuckie, my rascal cat, did run back to the lovely cow for one last sniff and, well, I have no idea what went on between them.

And I guess I’ll never know because on the way back to Deauville and even in the hotel afterwards, Chuck wasn’t talking.

Sunday, January 29, 2012

Chuck Almost Meets Vincent Van Gogh




As my rascal cat and I travel around the world, there are times when I am forced to say, “Chuck, we are going here. For culture. For enlightenment. We can’t always go to places just for fun.”

While we were in France, sailing down the Seine River, we stopped in a lovely riverside town--Auvers-sur-Oise--which just happened to be the last place that Vincent Van Gogh, the famed artist, lived and painted. I knew this and Chuck didn’t. But I had noticed that recently Chuck had shown a modicum of interest in art. He had stared at, if briefly, one of Van Gogh’s paintings--his most famous one, in fact, “The Starry Night.”

The opportunity, therefore, had presented itself.

If the kid liked the painting, if he seemed interested in it, why not shove a bit of culture down his throat and acquaint him with Van Gogh’s life and struggles. After all, I figured, Chuck, my very privileged and now pampered cat, had come a long way from his once homeless situation, and I didn’t want him to forget that life can be hard.

Vincent Van Gogh led a tortured life.

My plan was this---do the typical tour and share Vincent’s struggles along the way.

We began with the house where Van Gogh rented a room and painted. We passed the local church. As we walked, I talked. Chuck listened, or seemed to be listening, but you never know with him. Then we headed out to the cemetery, where Van Gogh is buried with his brother by his side, which is a bit outside of the main area of town, up a hill and through a field. Because we were alone, I let Chuckie out of the backpack, and he scampered beside me, enjoying his romp. The cemetery is to the right. But when it came time to make that right, Chuck kept on going.

“Chuck, the graves are over here.”

He pretended not to hear me.

“Chuck.”

Laughter bubbled up behind me. I had company.

Now, in all honesty, I try not to advertise the fact that I have a cat with me. I stopped walking and pretended to be fiddling with my backpack. The couple passed by enroute to the cemetery.

“Chuck,” I called into the tall grass, but he had disappeared.

That darn cat.

It was clear to me now that the Chuckster had no interest, whatsoever, in seeing Vincent Van Gogh’s gravesite. So I popped over, admired the gravestones myself, took a photo, and returned for my recalcitrant cat.

“All right. We don’t have to go see them. I get your point.”

Like magic, the bellyboy re-appeared as if nothing had happened. Cool as a--you guessed it--cat. Grooming himself the way cats do when they’re pretending nothing is amiss.

We headed back to town and even poked our heads into a local restaurant that pays tribute to Van Gogh in their own way by sporting a mural on their wall of Kirk Douglas, who played Vincent Van Gogh in the Hollywood movie. I thought the mural was great. Chuck, of course, was not impressed. Oh, yeah, he glanced at it but seemed more interested in sniffing the peanuts on the counter.

And when the shopkeeper told us that there is a festival every May in honor of Van Gogh, Chuck snorted.

But to keep the record straight, Chuckie still likes “The Starry Night.” He just doesn’t give a fig about Van Gogh, the artist.