Theo Naps and Snacks in Historic Talkeetna

 Traveling around with a gangster cat can be a chore, at times. You want to do one thing, and he wants to do another. How do I convince Theo that Talkeetna (yes, the place where he had ice cream) is worth checking out--especially the historic places that go back to the 1890's?

The only sure fire method is a bribe. You do this for me and I'll do this for you. Of course, we're talking about snacks, plenty of snacks.

One tour is all we want, we tell him. 

He issues back a plaintive meow. 

We strike a deal.

The first known people of the Talkeetna area were called "mountain people." They lived in the area 6,000 years ago. They were nomadic Indians who hunted caribou and fished the three rivers that joined together nearby. The last of the mountain people died in 1918 during the flu epidemic. They left only oral stories behind, no written records.

Isabella Grindrod arrived in Talkeetna in 1917 and worked many jobs (laundry, cook) before buying her own cabin near the Talkeetna River, starting a freight company with two brothers, eventually marrying one of them which led to the Talkeetna Trading Post. When her husband died, she added a dining room to the trading post and began to serve meals. She kept chickens and a large garden. Unfortunately, her cabin no longer exists but here's a photo:

We're excited to walk into a cabin that does still exist, a railroad era style 1920's cabin to glimpse the inside  and see how people lived. This cabin was bigger than most. The owner also had a horse barn and small blacksmith shop and was the village blacksmith for ten years before he moved away. 

We visit another cabin, which was typical of a one room cabin built in 1916. The owner worked for the railroad, trapped and practiced gold mining. When he married and started a family, he didn't do the obvious thing and enlarge the cabin but built another cabin nearby. 

Theo likes the cabins. He spends as much time as he can sniffing around. He jumps up and looks out the window. When he tries to take a nap on one of the beds, it's time to go.

Life was tough back then. We pause to look at the breathtaking scenery, which is one reason why people lived there--in so much isolation. 

"Well, what did you think?" I ask my unusually cooperative gangster cat as we're walking back through town to catch the shuttle to our hotel.

He doesn't say a meow, only licks his lips--having just wolfed down an entire plate of snacks. 

Okay, Talkeetna is a hit in Theo's book. And in ours, too.

Theo Visits Talkeetna and Gets Ice cream

 Talkeetna, Alaska, has been called quirky and quaint, boasts more tourists than locals (only 900 residents) and is one of those towns where you feel you've gone back in time when you step foot onto Main Street.

I'm thinking of a small town, circa 1950, although it was settled in the late 1890's. It was the real inspiration for the fictional town of Cicely in the 1990's television show Northern Exposure. It was connected with the gold rush, the Alaskan Railroad and is known for its rustic log cabins.  It is also called the base camp for climbers who want to ascend the heights of Mt. Denali.

If you can block out the crowds of people queuing for ice cream. Block out the people waiting to get seated for lunch at the local pizzeria . . . you can begin to feel what Alaska was like 100 years ago.

Theo loves Talkeetna immediately when he learns that the locals elected Stubbs (and then Aurora), a cat as mayor (honorary mayor), but just the idea tickles Theo's underbelly. 

Our first decision is to take a boat ride up the Susitna River. The water is a grayish blue color which contrasts weirdly with the bluish gray sky. The clouds make a statement. 

We're headed towards historic sites that have been preserved. How did the native Alaskans live before the town was founded? 

They fished and hunted. They hung their animal hides up to dry. They used sleighs pulled by dogs to move across the snow. 

They lived in small cabins and made sure to store their food high off the ground.

We're off the boat and walking towards the main part of town, intending to take an historic tour. I love this part of visiting a new place. I love peeking into what people's houses (I mean cabins) looked like. I love learning the local history.

But Theo will have none of it. He wants ice cream. Before lunch?

The line for ice cream is about 100 people long. And it's slow moving. The sun is out and surprisingly hot. I look over at Dan, hoping he can save the day.

He has an idea. We duck into Nagley's Store, small general store -- smaller than your typical Wawa (but this is where Alaskans shop in Talkeetna) because Dan remembers they have ice cream. No line! 

Later, we're sitting outside in the shade eating our ice cream. Theo hunkers down at our feet, snoozing. He's had a rough sniffing day.

That darned gangster cat was right again. We needed an ice cream break. And then onto lunch. And an historic walking tour. 

Theo and Mt. McKinley Revealed

 I'm at a loss to explain why it's so important to see the snow capped top of Mount McKinley when we're in Alaska. I think it all starts when we hear Alaskan after Alaskan say how rare it is to see the mountain top because of perpetual clouds and mist that swarm the area around it. They tell us the sighting of the mountain top is not guaranteed. In fact, they have the statistic at hand--you can only see the mountain top thirty-five percent of the time. The explanation: McKinley (the tallest mountain in North America) is so tall it creates its own weather system and is frequently blanketed by thick clouds. 

We are, of course, determined to see it. As we travel along from Denali National Park to Talkeetna, we constantly look up and over. And all we see are magnificent vistas and a mountain top covered with clouds.

Our driver, at one point, drives us an hour out of our way, convinced that he has the perfect spot to see the mountain. "You don't want to come all the way to Alaska and not see the top of Mt. McKinley?"

Of course not. We're in agreement on that. Inevitably when we arrive home, someone will ask--well, did you see it? 

Theo agrees. We must see the top of the mountain. But all we see are clouds.

We take a train ride to Talkeetna and the train even stops mid-way so we can try again to see the mountain. Everyone around us continues to say--just wait for a few minutes more. I have a feeling that the clouds will drift away and you'll be able to see the mountain. The few minutes turns into an hour or more. No mountain free of clouds. 

I complain to Theo. "This is ridiculous. How spectacular can the sight be?"

Theo shakes his head. 

"All right. All right." 

Finally the train moves again. And everyone seems perplexed. "We don't understand. Normally we can see the mountain top from the train."

We're staying at the Talkeetna Alaska Lodge. We're shown to our room--very spacious, well-appointed with a giant picture window facing toward the mountain. 

Theo is the first one to make the suggestion: "I wonder if we can see the mountain from here." He jumps up on the ledge and pushes the drapes aside with his paw. 

This is the moment I'll remember. We've spent literally the entire day trying to see this darn mountain top without the clouds. It's as if we're under some kind of spell. Now, tired and hot, I figure what are the chances of seeing that mountain?

"Don't get your hopes up."

Theo seems transfixed at the window. 

What can he be staring at?

And there it is--in all its glory. The perpetual clouds have drifted away. The top of Mt. McKinley is finally revealed. I almost choke on the irony. We could have saved ourselves hours of effort if we'd only known that all along we would see that darn mountain from our hotel window. 

There's a lesson is all of this, but I can't for the life of me figure out what it is. Nevertheless, Theo is happy. He's finally seen the top of the mountain! And it is glorious, indeed.

Theo Visits a Medieval Torture Museum

 

Theo is fond of using the word torture. When he wants his snack, and we're not ready to give it, he meows, "It's torture, mom." When Mico steals his favorite spot on the couch, again Theo responds by calling it torture. Somedays he seems to feel his life is, indeed, torturous. If he only knew what real torture is. I get an idea.

Fast forward. We're traveling around Germany and stop in a little town called Rothenburg, known for its medieval charm. After wandering around, we end up in the purrfect place.

Officially the museum is called the Medieval Crime Museum, but it's really all about torture. In the historical legal sense, torture began as part of the criminal system in Europe in the 14th century. When someone was accused of a crime--witchcraft, for example, where there was no proof, a confession brought on by torture was enough.

Public shaming was another kind of torture--chains with scissors attached was hung around the neck of unscrupulous sellers who sold inferior products, masks with chicken feathers were attached to the faces of promiscuous people, etc. Women who gossiped about each other were confined to the public square, one woman's wrists inserted in one side of a cruel wooden device, the other woman's wrists inserted into the other side. Others could see what they've done.

Once through the doors, you're faced with someone who appears to have been tortured--a sad and despairing face. 

Then you're introduced to various forms of torture: the stretching ladder, the rack (both which stretch joins and dislocate bones), the spiked chair, various instruments to put pressure on thumbs, etc to cause pain. There was also the shame mask with iron spikes that gouged the face, worn by men who led a wild life.  The museum houses over 50,000 objects of torture.

The museum offers a slew of torture devices and engravings in books that documents how torture was done. 

Theo is amazingly quiet during our entire tour of the museum. He looks intently through the glass as Dan and I point out various forms of torture instruments and explain how confessions were gotten from people accused of a crime when there was no evidence. 

"Well," I finally say to him, "I brought you here for a reason."

His big little eyes widen even further.

"You want to . . . " Is he thinking we're going to torture him?

"No, Theo, of course not. I want you to understand what real torture is. What you call torture is, well, that's just mom and dad being good parents. You can't get what you want all the time."

He shrugs his shoulders.

"Do you understand?"

"I get it," he meows. "I see."

"So, find another word."

He pauses for a second. "Can I say torture and do this?" He puts his delicately outlined paws into the air and makes air quotes as he meows torture.

Once a gangster cat, always a gangster cat.

Theo and the Angel's Leg in Bamberg

 Why do people travel? What is it that they're really looking for? Dan, Theo and I decide to stop in the historic city of Bamberg, Germany, not because it is a UNESCO world heritage site, not because it has some of the greatest examples of medieval architecture in the old part of the town which can make you imagine you've stepped back in time, and not because they brew a concoction of "smoked beer"--all of those would be good reasons. No. I push Dan and Theo to stop in Bamberg because of an angel's leg. A memory I have that haunts me from when I first saw Bamberg years ago.

Let me start from the beginning. Walk through Bamberg and you are immediately struck by its location near a river and the wide variety of houses. They are different than houses in the states. The architecture is old and at times amazingly quaint. They are the kinds of houses you want to see the inside of--the rooms, the furniture.

We walk along a river and I can't resist taking a video of the houses that butt up against the water.

We enter the old town. Statues sit on buildings above doorways:

Or they are just there as you walk along a bridge:

But the most amazing site is that some of the buildings in the old town are decorated with murals that tell a story. I have never seen anything like it. As we pass building after building, sporting angel murals, I am getting more excited because I know the angel leg is close:

Theo, who is usually pretty easy going (as long as there are snacks in the picture) balks. He lets out a big meow as we are going up one street and down another.

"Believe me, Theo, the angel leg is sticking out of a building. You will love it."

Theo knows about angels (no, not from church) but from our Christmas tree which has an angel sitting on top of it every year. He's 

been an eyewitness to Mico (his younger brother) racing across the living room and toppling the angel off her perch. 

But angels on buildings? I don't think he believes me.

Dan is also skeptical. "Do you really think a mural of an angel is all that exciting?"

"Trust me, boys. You've never seen anything quite like this before."

All I remember from the trip years ago is that you have to cross over a bridge so when I spot a bridge, we walk in that direction. From a distance I think I see it:

I walk faster and Dan shouts out, "I see it. I see it."

Impressive as it is, it is not what I want and need to see. "Does that look like an angel's leg to you? That's an entire baby angel."

And then I do see it. The angel leg I've been looking for. "There it is."

It is unusual. Half mural/half statue. A little freaky. "Well," I say in triumph. "Am I right? Isn't this the craziest thing you ever saw on a wall of a building?"

Dan holds Theo up so he can get a better look. 

No comment. Not even a meow.

I turn to Dan. 

No comment. 

"A bust?" I ask incredulously.

"Let's go eat," Dan says. Who can argue with that?

Nuremberg-A Quaint Little Town Sort Of

 Despite its reputation for being the host for the Nuremberg trials after World War II, Nuremberg--according to many Germans--is an historic and quaint town that offers a host of hidden gems. Dan and I and Theo of course, are blessed to have as our guide Esther who's lived in Nuremberg all her life. Walking down the streets of the town with her is like going on a treasure hunt with someone who knows where all the hidden gems are buried.

I'm talking tiny details. You walk by and don't see them at first until Esther points a finger and suddenly you can see what makes this town unique--the buildings have wood carvings under windows, massive stone carvings on doors, ornate statues.

Esther leads us to the famous carving of the Passion of Christ now protected by a steel gate to prevent people from tossing coins as offerings, a practice which for years was causing the carving to deteriorate.

There is an amazing recreation of the town in miniature size on a table. I remember a scene from "All The Light You Cannot See" where the blind heroine is taught the lay of the town, how the streets are organized so she can fine her way around by her father by feeling a replica of the village that he builds. 

Dan is obsessed with Albrecht Durer, a German artist, who lived in Nuremberg. This obsession is not because he is a fan of Durer's art. As Dan explains to Theo: Years ago his older brother Henry gave him the nickname Durer. It seems that Henry mistook Durer's first name Albrecht and thought it was "all break." He associated this with Dan who was younger and tended to destroy whatever was in his path (according to Henry.)

Strangely enough, as soon as Dan tells the story, we see signs of Albrecht Durer everywhere. A giant statue sits in the town square:

His house still exists.

Stores have taken his name and made it their own. 

That's where the trouble begins. We are touring around with Esther 

and a few other people, going up and down the streets, careful  to keep her within eyeshot so we don't get lost. Casually she references Durer's house, having no idea that Dan's compulsion will kick in. The famous artist lived in the half-timbered house for twenty years beginning in 1509.

"I have to see the house," he tells me. "To come all the way here and not see the house . . ." 

The house is, of course, down a street we're not going down. "Well, run then and I'll lag behind so you can find us afterwards."

The plan is set but you know what John Lennon said about the best laid plans--Life is what happens while you're busy making plans. And so it is. 

Theo, overhearing the plan, decides out of the blue to run after Dan. I don't realize this until I see a cat who looks suspiciously like Theo two blocks up. 

I'm torn. Do I go after Theo? Do I trust that Theo will follow Dan and be safe?

Meanwhile Esther is moving along, sharing what she knows about Nuremberg (which is a lot). 

Thank God for cell phones and Airalo. I call Dan and alert him that Theo is stalking him. Dan scoops him up and then runs back just in time before we turn onto the main drag.

"Did you see the house?"

Out of breath it takes him a second to answer. He nods.

"And?"

"It was okay."

As for Theo, now back on the ground, he stamps his foot for his promised snack. Yes, that's how we always lure Theo to the good side--a snack.