The Inspiration Behind the Blog

I was born to be a writer. When I published my first novel Wild Point Island, my orange and white rescued feral tabby Chuck decided he wanted to travel and see the island for himself. Chuck's desire to travel inspired me to begin the blog and take Chuck with me whenever I traveled, which I do frequently. This was not an easy task. First, I had to deflate the poor kid of all air, stuff him in my carry-on bag, remember to bring my portable pump, and when I arrive, I pump him back up. Ouch. He got used to it and always was ready to pull out his passport and go. Now it's Theo's turn. Smart. Curious. And, yes, another rascal.

Showing posts with label exotic travel tales. Show all posts
Showing posts with label exotic travel tales. Show all posts

Tuesday, May 13, 2025

Theo-The Museum Menace

 We're in Doylestown, PA and it's a long day. Despite the major protestations of Theo, we decide to go to the Michener Art Museum. We explain that Michener, a well-known novelist and short story writer (famous for writing epic stories of foreign lands) purchased local art in the Doylestown area and then built a museum to house it. Ah, the lives of the rich and famous.

But Michener didn't start out as a rich dude. He was a foundling who was adopted and raised as a Quaker. He then made his own fortune. The stuff of novels.

Theo has a ho hum attitude. How much fun can a museum possibly be? I have to agree. I've been to museums that were not impressive. 

Why I like the Michener Museum:

There is a lovely courtyard filled with statues where you can eat your lunch.



















Inside the museum, I spy paintings that make you long for the good old days--fill you with nostalgia.













In one of their many rooms, there's a lovely mural, framed like a window with a view, that tricks you into thinking you are looking at a real view. 




Theo stares and doesn't stare. He looks but does he see? Finally, as we're walking through a deserted part of the collection, we let him down to stretch his cat legs. This is our big mistake. One minute he's looking bored, but harmless; the next, he jumps up onto a display. But not any display. A giant cat perches there. Bigger than life-size.

Now Theo is interested. Unfortunately, he's in a museum where there's a firm look but don't touch policy. 



"Theo. Get down from there."

He doesn't.

"Theo. Don't touch that statue."

He is only sniffing.

"Theo, if you knock down that statue . . ." The threat hangs in the air. 

Finally he jumps down and looks at me as if I'm the crazy one. 

"You are exhausting," I tell him.

He wanders away from me and ends up, exhausted himself, on a bench. I join him. There is a lovely face of a sunflower. I can't resist the urge to pose. Yes, this is my exhausted face. 



Dan poses next to a most unusual door.



All in all, the museum is pretty cool.  My opinion, not Theo's.

Tuesday, February 18, 2025

Theo and the Sputtering Volcano

 I am not an expert on volcanoes. I don't know why they erupt sometimes and not at other times. I don't know how to tell if an erupting volcano is dangerous or just a sight to behold.



In the United States, there are only a few active volcanoes--Kilauea in Hawaii, Mount Rainier and Mount St. Helens in Washington state, Mount Hood in Oregon, Redoubt Volcano in Alaska, and then there's Yellowstone National Park.

Volcanoes that sputter and spit lava and steam are not easy to spot in the United States. The last volcano that erupted in the US was Kilauea in September 2024. The last dangerous eruption in the US occurred when Mount St. Helens erupted in 1980 and killed 60 people.

Maybe that is why volcanoes are so fascinating. There is that element of danger which warns you not to get too close. 

We are cruising to Siracusa in Sicily when we pass Stromboli, an active volcano in Sicily that erupts quite often. It is near sunset. A 3/4 moon hangs in the sky. 



We see the first fiery sparks every 10 minutes or so, and that gives me plenty of time to run and get Theo. He is napping, of course, but I shake him awake and explain the situation.




"Theo, this is a sight to see. I want you to come out with me. You'll probably never get to see a volcano erupting again."

Theo yawns.

"I'm serious. I wouldn't be so dismissive. Trust me on this."

When Theo is thinking or considering an idea, he usually gets up and stretches. He arches his back. He pretends not to be listening.

I wait. "Well?"

It would be nice if Theo says something like "No, mom, I'd rather not" or even "Just forget it."

But he doesn't. He relaxes and closes his eyes. 

"Theo."

Volcanos are not his thing. Obviously.

I'm back outside on the deck. The sparks from the volcano get bigger and bigger.



Then two lava sparks appear, and the lava begins to flow. You can see it begin to wind its way down the mountain. We're assured there is no danger. It is far enough away from civilization to hurt anyone. 




An erupting volcano is a mesmerizing event. You have a hard time pulling away. We blithely walk around on the earth, seldom thinking about what lies underneath. Until we have an earthquake. Or until a volcano erupts. 

Later, I show Theo the video I took. His attitude is completely different. He wants to see all three videos. He actually looks excited to watch the sparks and sputters. 

I don't want to say "I told you so" but the words pop out of my mouth. I feel bad.

"Well, tomorrow," I tell him, "We'll be climbing up Mt. Etna. Dad can put you in his backpack. Maybe you'll even be able to see some lava up close and personal."

 


Tuesday, November 19, 2024

The Miracle of Paestum

 Greek temples in Italy? If you need confirmation as to how crazy the world can be, visit Italy where you'll find more Greek temples than in Greece. 

Historians in the know report that during the eighth century BC, ancient Greeks settled along the coasts of the Mediterranean Sea and founded more than 500 Greek colonies, scattered along the shores of the Black Sea, southern Italy, Northern Africa and the coasts of southern France and Spain. They built temples to honor their gods. 

We wanted to see for ourselves what historians call a miracle.  

Sure enough--for some unexplained reason, the Romans did not destroy three well-preserved Greek temples. Centuries later, the miracle continued. During WWII, American (136th Infantry Division) and British forces arrived to liberate Italy. Salerno was the landing point where the Americans fought the Germans for control. The American soldiers slept in those same temples. The fighting caused some damage, but still the temples survived. 

They are a marvel. When you first see them, they seem surreal--as if you've stepped back in time. Imagine a field of grass and rock and dirt, where larger stones lay on top. This is what excavation looks like, a slow process of uncovering what lies beneath. Paestum is approximately one half mile wide. So far, the Italians have excavated only one fifth of that area:

 


In the distance you see a stone archway. 







Further on, you spot your first temple. Doric style. Built in honor of Hera, one of the Greek gods, in 600 BC. Paestum thrived as a democracy for 200 years.  


To the left is the second temple built in honor of Hera. Again remarkably well-preserved.







  












I'm not an expert on temples, but even I can see the details that remain after thousands of years. It is truly remarkable. 

Theo is with us, of course. He loves being outside, smelling the breezes. Today is not as hot as it usually is in Italy in June. But Theo loves the sun. He seems as entranced as we are. 

You can get up close and personal to these two temples, which isn't always the case when you visit ruins. (You can only admire the Acropolis in Athens, Greece, from afar.) Here you can climb up and walk inside the temple and touch the stone. You can imagine the awe the peasants would have felt to witness the size and glory of a building. 

Theo is having the time of his life. I suspect things are only real to him if he can sniff them. After a few minutes, we have to usher him along. There is still one more temple to see. And the amphitheater.

The third temple (far to the right) is dedicated to Athena. Unfortunately, barriers are erected to keep tourists from going inside. What happens next is our own darned fault.














Theo thinks you can sniff any ruin. Any temple. He doesn't quite get the context of barriers which means keep out. A barrier is just an obstacle that he can easily overcome. In this case, he slides through and is standing in the forbidden zone. 

This is going to be tricky. 

"What do you think we should do?"

Now the barriers are not ten feet tall. Dan can scoot over one in an instant. We look around. A few people are milling about. A horde of tourists are still over by the Hera Temple. We have a few minutes yet to solve the problem.

"I don't see any guards."

Still Dan is reluctant to go into the forbidden zone. Would Italians think it's cute that we're rescuing our cat or would they see us as temple terrorists and arrest us? I can see the headlines now . . . 

"Theo," he calls. "Snack time."

Who says Theo doesn't understand English? Or recognize the sound of his favorite dried food rustling against the small plastic container we're holding. 

"Shake it again."

That's all it takes. Theo loses interest in the temple and slides back through the barrier. We hightail it over to the amphitheater and sit down to snack. 



As we're leaving, we take one last look behind. The Athena Temple stands there in all its glory, and we're sure it's destined to remain for at least another thousand years.






Tuesday, September 10, 2024

Has Theo Traveled Back in Time at the Roman Forum?

 Years ago when I was in Rome, just strolling along the streets, a friend pointed out a place--a large hole in the sidewalk--where you could see beneath present day Rome to Ancient Rome. I got on my knees and tried to catch of glimpse of Ancient Rome, but it was too dark down there, and I saw nothing. But the idea intrigued me--that modern Rome was built on top of Ancient Rome. How? Why? Well, it seems the Tiber River would flood and overflow its banks, leaving behind a trail of mud and silt that eventually, over the centuries, literally buried Ancient Rome. 

An exception to this natural phenomena was the Roman Forum, which was the center of Ancient Rome, and which was built on a hill. It became the political and religious center of Roman life. It included what we would consider the first Mall for shopping, what they called a marketplace, and the home of the Vestal Virgins, six priestesses who vowed celibacy and whose main job was to honor Vesta, one of the Roman Goddesses. 

We decide to go and see the Roman Forum. Now it was mostly destroyed, too, by earthquakes, weather events, pollution and centuries of architects robbing the stones for their own projects. But enough of the Forum is left to give you an idea of what Ancient Rome looked like, and I mean BC Rome, before Jesus was even born.

The best way to approach this rectangular area of ruins is to see it from the very top by climbing up the Palantine Hill. From that vantage point you can see the area that is nestled among the modern Rome of today. Technically, the Roman Forum at its furthest end bumps into the Arch of Constantine, which is very close to the Colosseum, where the gladiators fought. We take a video of this amazing ruin--at the end you can see the Arch and the Colosseum:




The history of Ancient Rome is long and illustrious. At one point the Romans literally rule the known world. The story is far too complicated to tell here. The Roman Forum evolves over time. We can see fragments of columns that support the main structure of the Forum, statues, parts of brick walls, and elaborate colored tile on the floors. To think that the Roman Forum dates back thousands of years and parts of it still exist today . . . 



















































There is so much to see. I am enthralled. Amazingly, so is Theo. He seems to have an interest in the Rome of yesteryear. Yeah, he watches, on occasion, the History Channel, but there is something about Ancient Rome that catches his imagination. 

As we traipse from ruin to ruin (thankfully it's a cloudy day and not so hot), Theo's ears perk, his head swivels around.

"This is history," I say to Theo. "Thousands of years ago . . . " The gangster cat is being remarkably cooperative despite the fact that we don't see a bird or a squirrel, Theo's usual distractions. This time there are only tourists and antiquities. 

Until we are set free. We're with a guide and then we have free time. An underground tunnel sits before us. Despite being claustrophobic I like tunnels, and this tunnel is a good size. I imagine we're walking back in time, and when we get to the other side, we'll be in Ancient Rome. 




Theo gladly comes with me. This is his chance to sniff the ancient walls and get a glimpse (from a cat's perspective) of how the ancients lived. I stop and read the placards along the way, keeping half an eye on Theo.

I should have kept both eyes on him. One minute he is walking beside me, then he stops, sniffs and the next minute he's gone. Did he race ahead? Is this a real time tunnel? Is Theo now sniffing in Ancient Rome? 

I rush forward, imaging what I'll see on the other side. My imagination runs a bit wild. But when I emerge, although I'm still standing in the fragments of ancient Rome, I haven't traveled back in time. Theo is just ahead, rubbing himself against Dan's leg. Dan is mesmerized by a stone mound, what is believed to be Julius Caesar's grave. It's actually the spot where his ashes were buried, two years after he was cremated. The mound is the remains of the altar built to honor him in the Temple of Divus Julius. I expect something grander. Still, Julius Caesar is a legend.




Dan teaches Latin. He loves myths. There is a smile on his face a mile wide. He can't believe he's standing in front of where they put Julius Caesar! 

As for Theo, he's hungry. He's had enough of ruins. He wants a snack because he is a cat, after all.


Tuesday, September 3, 2024

Theo Says Poetry Smoetry

 For years when I visited Rome, I always wanted to go into the house that sits on the side of the Spanish Steps--the house which was turned into The Keats Shelley House, a museum dedicated to three English poets--all Romantics--who spent time in Italy.  




The story goes like this: John Keats, who is best known for his poem Ode to a Nightingale, is dying of tuberculosis when he comes to Rome for the last time in 1820 with a friend. They rent a room in the house, with a window that overlooks the Spanish Steps. He arrives in November when he is still able to ride his horse and see the sights. 

As his illness progresses, he's confined to a single room with a magic window. 

He loves to watch the tourists who go up and down those steps. After he dies at age 25, still a relatively unknown poet, everything in his room is burned, according to Italian Vatican law. 

The house is due to be demolished in 1903, but English and American diplomats and writers save it. The then Kings of England and Italy, the then President Theodore Roosevelt of the United States support the creation of a permanent memorial to Keats. Eventually the memorial includes Keats' contemporaries--Percy Bysshe Shelley (whose wife, Mary Shelley wrote Frankenstein) and Lord Byron, who is best known for his autobiographical poem Child Harold's Pilgrimage, his many love affairs, his revolutionary spirit which led to his death in Greece and, in my humble opinion, his poem She Walks In Beauty. Byron is as popular as a rock star when he's alive.

Today more than 25,000 people visit the museum. 

Theo has no interest in going into the house. Poetry is not his thing. He'll watch a bird video or anything on National Geographic or Animal Planet, but he has no interest in the finer aspects of life. 

He sums up his attitude in two simple words: Poetry Smoetry. 

This presents a problem because I've been trying to get inside this museum for years. It always seems to be closed. But this time it isn't, and I can't resist. I spent part of my undergraduate work on the English Romantics. To see the house where Keats stayed and died is on my bucket list. 

Dan, my hero, comes in with me. There is a nice patio outside the house that overlooks the Spanish Steps. 




It is in the shade and the perfect people watching spot. We deposit Theo there, and he's happy. He perches near the railing and after he sniffs around, is instantly mesmerized by the tourists. Yes!

I am in heaven. Now I can explore. There is a welcome message at the entrance:



The walls that line the stairs leading to where Keats stayed are filled with photos and drawings, capturing their life back then. There is a drawing of the square with the Spanish Steps dating back to when Keats was alive:




There is a library filled with every conceivable imaginable book written by or about the three poets. It is an outstanding collection of 8,000 volumes and often attracts scholars who are doing research.  




There are excerpts from letters that Keats wrote--to his girlfriend Fanny. To his friends.  There are letters from Mary Shelley after her famous poet husband died.

There is so much to see and read. Every once in a while, Dan peeks out to make sure that Theo is still there. With Theo, you never know. 

This is how it happens. I am in Keats' room with the magic window, imagining this young man--who is so very talented and yet undiscovered living his last days on earth.  


















Dan bursts in. "Theo is gone."

How can that be? We race to the patio, open the side door to the outside patio and look around. The patio is enclosed by a railing. There is nowhere to go. Except down. 



We lean over and see if it's possible. Could he have jumped down? No, Theo is not stupid. My backpack is still on the chair where I left it. 



No Theo.

Other options? Kidnapped? Not likely. He's a gangster cat, after all. 

"I know what happened," Dan announces. "Someone opened the door to the patio to look out . . ." He pauses. 

"Theo must have run into the museum."

We begin a frantic search to find him. We should have spared ourselves the effort. In the library, on a chair, Theo is cuddled up. 

"What the heck?"

And then we see the reason why. A small bowl filled with crocantini (dried cat food) is waiting beside him. A few morsels are left. 

There is a young woman, roaming around the museum, who keeps an eye on things. She is majoring in the English Romantics and spending her summer at the museum. We put two and two together and recognize a kind soul who spotted the "starving" Theo.

Unfortunately, although I could have stayed in the Keats and Shelley House forever, it is time to go back to the hotel. The gangster cat has had enough.

As we walk back, I read a few lines from Keats' To Sleep:

Oh, soft embalmer of the still midnight, . . .

Save me from curious Conscience, that still lords

Its strength for darkness, burrowing like a mole,

Turn the key deftly in the oiled wards,

And seal the hushed casket of my Soul.


Theo says, "Poetry. Smoetry."



Tuesday, August 6, 2024

Theo Invades the Trevi Fountain

 We are so lucky to find that our hotel--Hotel Delle Nazioni--is literally one block from Rome's famous Trevi Fountain. You make a left out of our hotel, walk down the street and enter a square. The 18th century fountain is behind you, in all its magnificence, spouting cool water, surrounded by historic buildings. 

"Let's just stand here and pose," I tell Dan. "I can't believe we're really here."








Designed by Italian architect Nicola Salvi, the fountain was built with Travertine stone in 1762 by Giuseppe Pannini. It is almost 90 feet high and 160 feet wide, making it the largest Baroque style fountain in Rome, and one of the most famous in the world. 

The fountain was built at the end point of an aqueduct that supplied water to Rome. Supposedly a virgin long ago helped Roman technicians locate a source of pure water eight miles from the city. The aqueduct supplied water to Rome for over 400 years. 

The name "Trevi" comes from two Italian words "Tre vie" meaning three streets. The fountain is located in the intersection of three streets. It has been refurbished, repaired and renovated throughout the centuries.

The larger than life figure that dominates the statue behind the fountain is Oceanus, a Titan God, who represents the source of all fresh water on the Earth.

There are usually hundreds of people milling around the square, staring at the fountain, eating their gelato or paninis (Italian sandwiches) or sipping their cool drinks. The noise level can be deafening when you add in the sound of the fountain. 




It is a sight to see and hear. When we first arrive, we rush to see it amidst the throngs of tourists that are there. Theo takes one cat glance and can't seem to get enough. I know he wants to get closer, and I suspect, drink the water. But that is definitely not allowed.

Everyone seems to know the rules. You can throw coins in the fountain and most tourists do, believing that if you throw a coin in the fountain, you will return to Rome one day. Technically, you should throw the coin with your right hand across your left shoulder while you are facing away from the fountain for the magic to work. 

(One day a week, early in the morning, the fountain is turned off and crews arrive to dredge out the coins in the bottom of the fountain. The coins go to charity. Approximately 3,000 E ($3300) are thrown into the fountain each day which leads to a tidy sum at the end of the year.)










There is a sign not so clearly posted listing all the things you can't do. You must stand near it and squint to read the warnings. The gist of all the do nots are:

Do not eat food too close to the fountain. 

Do not bathe or swim or remove water from the fountain.

Do not clean your clothes or wash your pets in the fountain.

Do not throw anything but coins into the fountain.

Do not remove the coins from the fountain. 

Violators face a hefty fine ranging from 40E to 240E ($44 to $270).




Knowing the world like I do, I know that each do not is a result of someone trying to do it--in the fountain. I march Theo over to the sign and spell out all the warnings. I'm no dummy. All that water splashing downward and all the birds flying around angling to reach that water is like catnip to Theo.

Dan is thinking like I do. "Can we trust him?"

"Absolutely not."

"Yeah, I'll keep ahold of him."

Ha. Easier said than done. When Dan has his I phone with him, all he wants to do is take photos--which is impossible when he's holding Theo. After a few minutes, down Theo goes.  And he's off . . .we lose him in the crowd. 

"He's headed for the fountain."

Sure enough, he's slipping and sliding through the crowds with every intention of climbing onto the edge, leaning over and drinking that water.

Violation!!! He will be sure to attract attention. A crowd will gather around him. I can picture it now. I can hear the chanting: "Drink, Theo, drink."

The carabinieri (Italian police) will arrive and we will be fined--big time.

That nightmare doesn't happen. And I am oh so wrong, according to the gangster cat. Theo just wants to get a better look at the water. That's his story as Dan carts him away. 

"Theo, how could you?"

He glances back at me. "I do what I have to do."

A cat is a cat is a cat. No doubt about it.